GRINDR AZULEJO
Overview
The Grindr Azulejo series reimagines Portugal’s iconic azulejo tiles through the lens of queer identity in the digital age. Created during my two-week residency at the OBRAS Foundation in Portugal in 2018, these acrylic paintings transform the historic blue-and-white azulejo aesthetic into a reflection on the impermanence and intimacy of digital connections, especially within platforms like Grindr.
Inspiration
While in Lisbon, I was drawn to the timeless beauty and symbolism of azulejos—the tiles that cover the walls of centuries-old buildings with images of stoic, hyper-masculine figures. These traditional artworks inspired me to explore how queer men present themselves today, especially in online spaces where identity is fluid, curated, and often fragmented.
In Grindr Azulejo, I juxtapose the enduring, almost sacred quality of azulejo with the fleeting nature of digital culture. Each piece captures fragmented, anonymous figures taking selfies, scrolling, or awaiting connection—echoes of our digital personas, shaped by technology yet marked by vulnerability.
Artistic Approach
Medium: Acrylic on Canvas
Color Palette: Blue & White, Inspired by Azulejo Tradition
These works are a reinterpretation, where the historic meets the ephemeral. Limiting the palette to azulejo’s classic blue and white, I wanted to capture the way Grindr encourages self-objectification, with figures both obscured and exposed. The style contrasts the intimacy of private moments with the public, often performative nature of digital identities.
Themes:
Tradition vs. Technology: Grindr Azulejo blends the ancient art of azulejo with the transient, commodified nature of online interactions. The series creates a dialogue between the permanence of heritage and the fleeting nature of app-based intimacy.
Identity & Vulnerability:
These paintings capture moments of self-presentation and self-censorship common in queer digital spaces. The series reflects the vulnerability of queer men who navigate these platforms, often balancing between anonymity and exposure.
Critique of Digital Spaces: Grindr Azulejo doesn’t just celebrate queer culture; it critiques it. The series questions how apps like Grindr shape, distort, and commodify the ways we present ourselves and connect with others, turning moments of connection into disposable interactions.
Exhibitions:
Since its initial solo exhibition in Portugal, Grindr Azulejo has been shown at:Protocol - Q Park (2018) — Curated by Vanya Balogh during London’s Frieze WeekATTRACT (2019) — Presented by Cultivate at BSMT Space in Dalston, London